Ryan and Todd define and explore the key psychoanalytic concept of the symptom. They contrast the psychoanalytic understanding of the symptom with the therapeutic version and then think about how we must respond to the symptom, including what it means to enjoy one’s symptom. In the discussion of changing the relation to the symptom, they discuss the disaster film as a paradigmatic form of response.
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1:15:50
The Public
In this episode, Ryan and Todd discuss the erosion of the public under contemporary capitalism. Using Jurgen Habermas's influential writing on the public sphere as a jumping off point, the hosts move to discuss different challenges to imagining a vision of the public untethered to capitalism and self-defeating notions of inclusivity.
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1:23:17
Embracing the Void
On this episode, Ryan and Todd discuss Rick Boothby's terrific recent book, Embracing the Void: Rethinking the Origin of the Sacred. First they discuss how the book begins its argument by intervening in the gap between Freud's and Lacan's notion of religion (in both its social and psychical import). They then move to highlight Rick's original theorizing that links das ding to an encounter with the unknowability and indecipherability of the other. Finally, they conclude by discussing the relationship that Andrei Tarkovsky's Stalker has to an extension of Rick's argument.Also mentioned on this podcast:Misconstruity, "Let Them Rot" (referenced as Russ Sbriglia's King Crimson power hour)On Drugs, CBC Podcast (Special thanks to Hadeel and Geoff!)Ryan's essay in World Picture
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1:15:48
Seminar 16
Ryan and Todd discuss Lacan’s Seminar XVI: From an Other to the other. They focus on Lacan’s modification of Marx’s surplus value into surplus enjoyment and the implications of this discovery for the interpretation of capitalism. They frame this seminar as the end of the most fecund era of Lacan’s thought, a culmination that produces one of his greatest insights and the basis for a psychoanalytic theory of capitalism.
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1:22:06
David Lynch
Ryan and Todd pay tribute to David Lynch’s life and work by discussing each of his ten feature films in order of value as artworks (in the view of one of the cohosts). They explore the role of fantasy in Lynch’s works and how he implicates the desire of the spectator in the films.
Sverige