Sometimes the news moves so fast, you have to look closely to know if you’ve seen it before. And that’s what this show is about. Breaking History breaks down th...
Every now and again, a work of art is so profound that it breaches the boundary between fact and fiction and affects current events. And if you had to rank the most politically resonant artworks American pop culture has produced in the last 50 years, the 1991 film JFK would top the list.
More than any document, this film codified the murder of JFK as a conspiracy in the minds of the American people. Directed by the most celebrated filmmaker in America at the time, Oliver Stone, JFK featured Kevin Costner as a character who said that President Kennedy was killed as part of a government conspiracy.
The film was so influential that Congress passed a law in 1992 that ordered government agencies to find and, ultimately, release hundreds of thousands of secret CIA files relating to the assassination. Now President Trump has ordered the declassification of all remaining records.
Many Americans never thought Lee Harvey Oswald acted alone—or they questioned if he was involved at all. But by the end of the Cold War, the JFK truthers were considered fringe and paranoid. Oliver Stonge changed that.
In today’s Breaking History, Eli Lake argues that JFK made conspiracy theories go mainstream. Tinfoil hats were no longer just for oddballs. They were for everyone.
And the U.S. government has played a big role in that. After all, whether or not Oswald acted alone, the full array of facts still remain to be shared.
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49:59
Paradise Burning
Last month, L.A. burned. It was one of the most predictable disasters on record. A century of development on land whose ecosystems were forged in wildfire; years of increasingly regular blazes; months of low rainfall. The National Weather Service even issued an explicit warning: This was coming.
Unfortunately, when Chekhov’s fire arrived, everything that could go wrong, did. A key reservoir was being repaired when the blazes began. The hydrants didn’t have enough pressure. The state hadn’t cleared the dry vegetation near the hills of the Palisades and Malibu that is kindling for the seasonal wildfires. L.A. mayor Karen Bass didn’t have much to say to the citizens. You can’t blame local officials for the weather, but it seemed to most observers that Bass and Governor Gavin Newsom had created their own perfect storm of Californian incompetence.
Something has gone wrong. The fires are indicative of something rotten in the Golden State.
But it wasn’t always this way. California was once a place where industry and imagination locked arms and showed us how great the human experiment could be. It secured democracy by manufacturing the weapons that won World War II. It built the dream factory of Hollywood; it gave us Silicon Valley and personal computing. It gave us Dr. Dre and Dr. Strangelove. Without California there are no hippies, no tech bros, no gangsters in our rap music, no hardcore in our punk, no Boys on our Beach, and no movie stars.
In other words: When we surrender California, we surrender the dreams that built the American century.
To understand how and why California surrendered, we have to travel back to the 1970s—a decade of despair and decadence, not just for L.A., but especially for San Francisco, as it became the petri dish for the values that now define the state’s politics and governance. It is a story of sex, drugs, scandal, and terror, and to understand how Democrats began to accommodate a radical left that has burrowed deeply into the state’s bureaucracy, courts, and political machines, the revolution of the San Fran ’70s explains a lot.
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47:02
Trump’s Populism Isn’t a Sideshow. It’s as American as Apple Pie.
Donald Trump, just sworn in as the 47th president, was reelected to be a wrecking ball, a middle finger, the people’s punch to the Beltway’s mouth. And while this populist moment feels “unprecedented,” it’s not. The rebuke of the ruling class is encoded in our nation’s DNA.
We have seen populist leaders like Donald Trump before. He stands on the shoulders of Texas billionaire H. Ross Perot, Alabama governor George Wallace, and Louisiana legend Huey Long. There have been populist senators, governors, newspaper editors, and radio broadcasters.
But only rarely has a populist climbed as high as President Trump. In fact, it has happened only once before.
The last populist to win the presidency was born before the American Revolution. He rose from nothing to become a great general. His adoring troops called him Old Hickory, and his enemies derided him as a bigamist and a tyrant in waiting. His name was Andrew Jackson, and he’s the guy who’s still on the 20 dollar bill.
On today’s debut episode of Breaking History, Eli Lake explains how Andrew Jackson’s presidency is the best guide to what Trump’s second term could look like.
Credits: Andrew Jackson: Good, Evil and the Presidency; PBS
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35:36
Introducing: Breaking History
Sometimes the news moves so fast, you have to look closely to know if you’ve seen it before. And that’s what this show is about. Breaking History breaks down the news, by breaking down history. We cover everything from LBJ and the Roman Republic to Donald Trump and the chaos at Columbia. This twice a month show from The Free Press delivers the best historians, authors, and reporters by mining the archives of human experience to figure out the present. George Santayana wrote, “Those who do not remember the past are condemned to repeat it.” Tune in to Breaking History to resist the repetition.
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2:40
Why Jews Wrote Your Favorite Christmas Songs (From the Honestly Archives)
*This episode originally ran on December 23, 2024 on Honestly with Bari Weiss*
Did you know that the Americans who wrote nearly all of the Christmas classics were . . . Jewish? Many of these songwriters were the children of parents who had fled Russia and other parts of Eastern Europe during the great wave of immigration between 1880 and 1920.
Sammy Cahn, the son of Galician Jewish immigrants, wrote the words to “Let it Snow!” and was known as Frank Sinatra’s personal lyricist. There is also Mel Torme, the singer-songwriter responsible for composing the timeless “Chestnuts Roasting on an Open Fire.” His father fled Belarus for America in the early 20th century. Frank Loesser, a titan of Broadway and Hollywood musicals, wrote the slightly naughty “Baby, It’s Cold Outside.” He was born into a middle-class Jewish family, his father having left Germany in the 1890s to avoid serving in the Kaiser’s military. Johnny Marks, the man who gave us “Rudolph, the Red Nosed Reindeer,” “A Holly Jolly Christmas,” and “Rockin’ Around the Christmas Tree”—yes, he was also one of the chosens.
Then there’s the greatest American composer of them all, Irving Berlin. His “White Christmas” is one of the biggest-selling singles in the history of American music. Berlin’s earliest memory was of watching his family’s home burn to the ground in a pogrom as his family fled Siberia for Belarus before emigrating to NYC in 1893.
Eli Lake explores why and how it was that American Jews helped create the sound of American Christmas.
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Sometimes the news moves so fast, you have to look closely to know if you’ve seen it before. And that’s what this show is about. Breaking History breaks down the news, by breaking down history. We cover everything from LBJ and the Roman Republic to Donald Trump and the chaos at Columbia. This twice a month show from The Free Press delivers the best historians, authors, and reporters by mining the archives of human experience to figure out the present. George Santayana wrote, “Those who do not remember the past are condemned to repeat it.” Tune in to Breaking History to resist the repetition.
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