Exhibitionistas: Notes on Art

(Re)discover empathic art appreciation with Exhibitionistas' host, art writer and curator Joana P. R. Neves. She shares a meditative exploration on visual culture, through contemporary art –the wonderful work of catalan artist Susanna Inglada–, Lao Tzu's Tao Te Ching translated by Ursula K, Le Guin, and the poetry of the most innovative Portuguese poet and his heteronym Alberto Caeiro–Fernando Pessoa.
Art Etiquette Guest: Spencer Moore, Creator and host of The Hairy Chin Podcast
Soon: Bonus – full length Art Etiquette episodes.
Become a member or donate HERE.
Consider this episode an anti-tutorial: it will not teach you how or why to... nor 5 methods to achieve something quickly. Rather, this Art Wonderment Manifesto will reclaim wisdom and experience through language explorations, spending time with the unknown, being comfortable with what we don't understand because, precisely, "understanding" might not be the point. Who wants to stand under?! Wandering, meandering, letting go while holding on to the specific is what it's all about. 
#ArtWondermentManifesto
#artmanifesto
#artappreciation

÷÷÷÷ fan mail ÷÷÷ If this episode stirs Art Wonderment memories, share them; or send us some love via text or voice message ÷÷÷÷ fan mail ÷÷÷÷
Support the show

Is it possible to have a moving art experience of a copy or a mechanically reproduced artwork? Such is the anxiety regarding art, reinforced, often, by a wildly misunderstood concept coined by Walter Benjamin: the aura, the "here and now of the work of art". #walterbenjamin #aura #technologyandart
What if mass reproduction of images brought an art liberation? What is preserving the here and now of the aesthetic experience was a form of gatekeeping?
And how can we read the concept of aura today?
Interested in Worlding, my art space & residency in London?
https://www.worldingproject.com/
Interested in seeing the exhibition with Collective Aid and SOS MEDITERRANEE for Refugee Week? https://www.zeffy.com/en-GB/ticketing/across-lands-and-seas-exhibition
Interested in our Workshops? https://www.zeffy.com/en-GB/ticketing/workshops-across-lands-and-seas-exhibition
And our talk about courage? https://www.zeffy.com/en-GB/ticketing/across-lands-and-seas
Know more about Collective Aid and SOS MEDITERRANEE.
Read Katy Barron's Women who Podcast Magazine. And listen to our episode in Kathy's podcast Women Who Sarcast.
And here is the link to Kathy's awesome film Navel Gazing: https://www.youtube.com/watch?v=ogy1nTiCms0&t=205s

Small donations are great! "Buys us a book": https://buymeacoffee.com/exhibitionista
Donate!
SIGN UP TO THE EXHIBITIONISTAS FILES.
[email protected]
00:00 Can we be moved by a reproduction of an artwork?
07:04 Walter Benjamin's "Aura" is often misunderstood
15:52 My 2nd hand art experience: 2 paintings by Caspar D. Friedrich
20:12 Benjamin, a fellow podcaster? And the real change brought by tech
29:07 Art Etiquette segment!
40:13 Walter Benjamin's Influence on Art and Technology
40:13 Copy v automated reproduction
53:26 Brainstorm in a teacup segment!
54:37 Answer to the question: can we be moved by a copy of art?
÷÷÷÷ fan mail ÷÷÷ If this episode stirs Art Wonderment memories, share them; or send us some love via text or voice message ÷÷÷÷ fan mail ÷÷÷÷
Support the show

Is digital media preventing us from accessing the most exciting part of culture? Final episode of the hiatus special series: it's a new era! It's a new episode structure with new segments!
Find out more about:
the unacknowledged difference between wonder and wander – wonderment: what is it?
A poem by Wordsworth & Agnes Martin's writings
art etiquette
that time when I went viral and Snoop Dog (or his team) reposted my performance show
and more... (author and podcaster Katy Hessel (Great Women Artists Podcast), author Lauren Elkin...)
Visit Worlding online and sign up to our newsletter or follow us on Instagram: @worldingproject
https://www.worldingproject.com
Small donations are great! "Buys us a book": https://buymeacoffee.com/exhibitionista
Donate: https://exhibitionistaspodcast.com/support-us
To know more about our guests and our ideas → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.
https://joanaprneves.substack.com/s/exhibitionistas
My definition of wonderment is actually taken from the noun ‘wonder’: https://dictionary.cambridge.org/dictionary/english/wonder 
Hollis Frampton’s text:
Digression on the Photographic Agony, Artforum, November 1972: https://www.artforum.com/features/digressions-on-the-photographic-agony-209932/
Agnes Martin’s photo credits: Agnes Martin in the mesas near Cuba, New Mexico, 1974. Photo Gianfranco Gorgoni.
Pliny the Elder’s mention of the origin myth of art is in Natural History Book XXXV
My strange viral experience article
Going Viral: if your exhibition is reposted by Snoop Dog, does it matter? https://substack.com/home/post/p-157358364
The article where I mention Katy Hessel’s strange Art Self Help Book,
Art as Function, Automatic Education, and Self-Care: the Politics of Culture Replaced by the Commodification of Creativity: https://substack.com/@joanaprneves/p-190450394
Find Walter Benjamin’s first “read Walter Benjamin with me” here” https://joanaprneves.substack.com/s/your-crazy-aunt-book-shelf
Discover other podcasts regularly: https://www.womenwhopodcastmag.com/
00:00 Introduction to Exhibitionistas and New Format
01:30 Wonderment
06:03 Reading Out Loud
08:25 Agnes Martin on Joy
12:58 Ekphrasis
19:51 Digital Hygiene
41:32 Build Exhibitionistas With Me!
46:33 Brainstorm in a Teacup
47:37 Outro
Follow, Subscribe, Comment, or write [email protected]
÷÷÷÷ fan mail ÷÷÷ If this episode stirs Art Wonderment memories, share them; or send us some love via text or voice message ÷÷÷÷ fan mail ÷÷÷÷
Support the show

🔎 Does obscurity lead to creative freedom? Why do I ask? Because of a single sentence in Chris Kraus' book I Love Dick, simply stating that once we accept obscurity, we can do what we want...

📙 This book is a ride through the literary world of the 1990s from the perspective of "the wife of"; it's an exploration of visual art through the perspective of obscurity, complexity and weirdness, and a classic and transgressive exploration of authorship.

We discuss:
I Love Dick (duuuuh)
artistic freedom
creative liberation
female creativity
the complexities of feminism
the work of Sophie Calle, Hannah Wilke
Authorship and its twist through auto-fiction
artistic exposure invisibility, and obscurity
authorship
critique versus experience
Read Joana's essays: https://joanaprneves.substack.com/.
To know more about our guests and our ideas → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.
https://joanaprneves.substack.com/s/e...

you can become a member and support us.
Small donations are great! "Buys us a book": https://buymeacoffee.com/exhibitionista

Takeaways
the great literary work of Chris Kraus
the female condition and the role of the artist
layers of feminism
critical prejudice against feminist art
the economy of artistic exclusion
aesthetic experience of desire
desire as a fiction device
sex, lust and adultery in postmodernism
sex in art

00:00 Intro: On creative freedom and obscurity
02:51 A feminist sensation: "I Love Dick" by Chris Kraus 
09:47 Dick, Sylvère... and Chris
15:12 The Structure of the Book
23:29 The Triangle of Obscurity
26:05 Exposure of Self or Obscurity of the Muse?
30:53 Transgression as Sexlessness
41:04 Economic Obscurity
47:21 Sex, Desire, and Visibility
54:26 Art, Identity, and Obscurity
55:44 The Life and Legacy of Hannah Wilke
01:09:39 Art Monsters
01:17:56 Outro
÷÷÷÷ fan mail ÷÷÷ If this episode stirs Art Wonderment memories, share them; or send us some love via text or voice message ÷÷÷÷ fan mail ÷÷÷÷
Support the show

🔎 How do we spot a masterpiece? Can we really know if the art we’re looking at is any good? Which is to say, how do we recognize talent? And is pleasure a real indicator of artistic greatness?

⚒️ Are there any identifying tools that may fit the unique shape of a new work of art?

Spotting great art may be trickier but more exciting than we think. We look into Proust, specifically into one of the most intriguing narrative lines of In Search of Lost Time (Vol I): the presumed greatness of the famous actress, "La Berma”, inspired by the very real and very famous turn of the century Sarah Bernhardt, whose performance tests the main character’s artistic judgment. We’ll follow his tribulations with aesthetic anxiety, antcipation, experience, enjoyment and appreciation.

Are these the steps to artistic paradise?

Tune in to find out, and enjoy some beautiful excerpts of this magnificent, detailed, and wordy (in the best sense!) piece of literature. But... is it any good?

Read Joana's essays: https://joanaprneves.substack.com/.
To know more about our guests and our ideas → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.
https://joanaprneves.substack.com/s/e...
you can become a member and support us.

Small donations are great! "Buys us a book": https://buymeacoffee.com/exhibitionista

Takeaways
what is artistic talent
how to identify it
how Proust sees art and its judgement
the subjective power revealed in art
stream of consciousness
what experience really means
aesthetic experience and experience of lif
÷÷÷÷ fan mail ÷÷÷ If this episode stirs Art Wonderment memories, share them; or send us some love via text or voice message ÷÷÷÷ fan mail ÷÷÷÷
Support the show