Tel Aviv Review

Upon the publication of Autocorrect, his latest collection of short stories, Etgar Keret joins us to discuss his favorite literary form, the impact of AI on storytelling and the power of literature post-Oct 7.
The episode is sponsored by the Sady and Ludwig Kahn Chair in Jewish History at UCLA and co-hosted by Prof David N. Myers.

The major turning points in Iran's nuclear program were not the JCPOA or the latest wars, but the Shah's defiance of Henry Kissinger and the Iran-Iraq War, says Dr. Sina Azodi, Assistant Professor of Middle East Politics at George Washington University and author of Iran and the Bomb: The United States, Iran and the Nuclear Question.

How does a Western-educated king survive — and thrive — in the political chaos of the Middle East for more than 25 years?
Aaron Magid, a journalist formerly based in Jordan, discusses his book The Most American King: Abdullah of Jordan, exploring the fascinating story of Jordan's King Abdullah II: a monarch shaped by American culture, dependent on American support, yet ruling one of the region's most fragile and strategically vital countries.
From Georgetown and Star Trek to Gaza, the Arab Spring, ISIS, Trump, Obama, and the future of the Hashemite Kingdom — this conversation dives deep into the balancing act that has kept Jordan stable while the region around it burns.
Why does Washington invest billions in Jordan?
How "American" is King Abdullah really?
Can authoritarian stability survive economic despair?
And how has Jordan managed to weather every regional storm?
A timely conversation about power, survival, diplomacy, and the quiet importance of Jordan in Middle Eastern politics.

Olga Gershenson, professor of Jewish and Near East Studies and Film Studies at the University of Massachusetts, Amherst, explains how a generation raised on VHS, torrents, and global cinema reinvented horror in Israel—turning familiar tropes into sharp, funny, and deeply local cultural critique. From "Hebraizing" zombies to exposing the absurdities of military life, Israeli horror is anything but escapist—it's subversive, original, and long overdue.
Why did it take so long for horror to emerge in Israeli cinema—and why did it suddenly explode in the 2010s?
Her book, New Israeli Horror: Local Cinema, Global Genre, is available here: https://websites.umass.edu/newisraelihorror

Oz Frankel, professor of American history at the New School for Social Research in New York, discusses his book Coca Cola, Black Panthers and Phantom Jers: Israel in the American Orbit 1967-1973.